"Most impressive, though is Martha Barrow’s subtle sound design, which is hardly perceptible but adds just enough to hint at what is happening off stage or what is not seen."
- All Edinburgh Theatre, 2023
Mother Clap's Molly House, Bedlam Theatre
"Martha Barrow sound design helps to weave between the time periods."
- Corr Blimey, 2024
"sound designer Martha Barrow keeps it clear."
- All Edinburgh Theatre, 2024
Pippin, Edinburgh Fringe Festival
"Tom Beazley’s lighting and Martha Barrow’s sound are both thoroughly impressive"
- All Edinburgh Theatre, 2023
Bohemia, Assembly Roxy
"a staggeringly impressive job at balancing acoustics without sacrificing volume, comfort, or sound for lyrics."
- Corr Blimey, 2023
Little Shop of Horrors, Church Hill Theatre
"In a stunning command of lighting, set and sound design, Skid Row is realised to feel lived in and distinct"
- The Student, 2024
Looking For Fun?, Edinburgh Fringe Festival
"Expert manipulation of both lighting and sound effectively encapsulates everything from the chaos of nightclubs, to the discomfort of sexual health clinics, to the seediness of a stranger's bedroom."